The advancement of CNC production methods such as 3D printing is happening hand-in-hand with the increased computational power needed to calculate these high-resolution forms. For the first time, geometric complexity is no longer an impediment, but through its malleability it offers opportunity.
Architecture is now at a critical moment: Material can be synthesized and customized, and bits can be rendered to reality. Digital production methods are at the threshold of enabling the materialization of complexity at a full scale and an ultra-high resolution. Instead of using these technologies to mimic former details and concepts, architecture has to explore this new paradigm in a most radical and open manner.
Benjamin Dillenburger is a practicing architect and assistant professor in architecture at the John H. Daniels Faculty of Architecture, Landscape and Design at the University of Toronto. He previously worked as a senior lecturer in the CAAD group at Swiss Federal Institute of Technology’s architecture department in Zurich.
Benjamin was finalist of the MoMA PS1 Young Architects Program 2015. His projects include the Digital Grotesque installation at the FRAC Archilab 2013 exhibition. He recently exhibited work at the Design Exchange Museum Toronto and the Art Basel / Design Miami.
Assistant Professor of Architecture
John H. Daniels Faculty of Architecture, Landscape and Design
University of Toronto
230 College Street
Toronto ON M5T 1R2
contact (at) benjamin-dillenburger.com